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Film Language Continued
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Sound

The extra dimension that sound adds to film has been acknowledged since the early days of cinema, when live music in the form of a piano, organ or even a full orchestra accompanied the images on the silent cinema screen. Although the first demonstration of sound on film is meant to have taken place as early as 1911 in the USA, it was only in1927 that Warner Bros. released the first feature film with a soundtrack – ‘The Jazz Singer’ starring Al Jolson. One of the main reasons for the delay in the implementation of sound technology is that the film companies were unwilling to invest large sums of money into sound equipment when they were making huge profits with silent movies. However, the next commercial sound film ‘Lights of New York’ (1928) was so impressive that it stimulated a rapid and total conversion to sound within the entire film industry.

Sound on film today is of course much more sophisticated with a digital synchronised soundtrack combining the elements of dialogue, music and sound effects (SFX).

Diegetic & nondiegetic sound

The world of the film as we see it on the cinema screen is known as the diegeic world. We can see only a section of this world – the events which the filmmaker has chosen to include in the frame. However, as a modern-day, cinema-going audience we accept that there are things taking place around the edges of what we see on screen. For instance, if a character has gone to make a cup of tea, we accept that they have gone to the kitchen which is part of the ‘film’ house in which they live. However, they are still part of the film world we are watching although they are out of vision.

Often, the edges of what we can see on the cinema screen are extended by the use of sound. We might hear a doorbell ring and we acknowledge that there is someone being let into the house even though we can’t see them. Likewise, we might hear the siren of a fire engine and we know that there is a road outside.

When we watch a film, the sounds that we hear can be diegetic or nondiegetic.
Diegetic sound is sound which is part of the film world we are watching. This can be dialogue, music or sound effects which come from a source within the film world. The music in this instance will be from a source in the film which we acknowledge could actually be producing music, for example, a CD player or jukebox.

Diegetic sound can occur either on screen or off screen; in other words we can either see the person or object that is making the sound (on screen) or we don’t (off screen).

Nondiegetic sound is sound which we do not recognise as part of the film world such as a voice-over or background music.

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